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Thursday
Jul082010

Sean Bonney - 5 Poems after Rimbaud

£3.50 (50p P&P), Grasp Press, July 2010 (limited run of 20 copies).
Thursday
Jul082010

Becky Cremin and Ryan Ormonde Book Launch

Tuesday 20th July, 7pm

A performance collaboration to launch: BECKY CREMIN's 'CUTTING MOVEMENT' and RYAN ORMONDE's 'Y CHROMOSOMES' published by KNIVES FORKS AND SPOONS PRESS.

Curzon Soho Mezzanine Bar, 99 Shaftesbury Avenue, London W1D 5DY

Tuesday
Jul062010

Openned

Two events:

Openned Press Launch

Openned Book Table

We'll see you there.

Monday
Jul052010

Crossing the Line

Tuesday 13th July, 7.30pm

  • Sina Queyras
  • Mike Weller
  • Michael Zand

The Leather Exchange, 15 Leathermarket Street, London Bridge, SE1 3HN

Admissions £5 / £3 (conc.)

via Vents

Sunday
Jul042010

Reality Street Summer Sale

Reality Street has an epic summer sale taking place up until 31st August.

Saturday
Jul032010

Oxfam Reading

Saturday
Jul032010

SoundEye Schedule

SoundEye has posted a Facebook schedule of events.

Friday
Jul022010

The Barlett School of Architecture

Friday
Jul022010

POLYply 2 'Testing in Built Up Areas'

Thursday
Jul012010

Francesca Lisette - as the rushes were

£8 (£1 P&P) Grasp Press, 2010 (13 pages)

This pamphlet collects poems - including Tar Orchid, published separately as a broadside last year - written between February 2008 and February 2009. Machine-printed but otherwise hand-made copies, with cover artwork by Paul Alexander Thornton, and designed using a new typeface by Daniel Rhatigan.

In the recent Openned Zine Issue 2, Luke Roberts said THIS about Lisette's recent work: "... toying with obscurity, confident measure, I think actually being deliberately secretive as a form of intimacy, or a way of controlling intimacy. The highly ornate vocabulary of her poetry establishes a strange relationship with the listener: the way I follow Lisette's work is like a grid, or aspects and planes of meaning and signifying which are constantly shifting. Maybe these grids and aspects and planes are attached to bodies, or at least a you and an I, even if those poles get repeatedly flipped and turned and examined."