£14.59, Farrar, Straus and Giroux, 2010 (1st ed., 320 pages)
ISBN-10 0374103445
ISBN-13 978-0374103446
A capacious celebration containing key selections from across the individual books, from Asylums (1975) to Girly Man (2006).
Available via the Bookshelf.
via Maggie O'Sullivan
Monday 1 February, 2010 tagged Publications in Alex Davies, Amy De'Ath, Becky Cremin, Edmund Hardy, Elizabeth Guthrie, Francesca Lisette, Georgie M'Glug, Mendoza, Michael Zand, Sophie Robinson, Steve Willey, Tessa Whitehouse, Tim Atkins The third Klatch meeting was held on Friday 29th January. At this meeting the second Klatch magazine was put together. Each poet brought 50 copies of their work to the Klatch and we made up 50 copies of a magazine, now called Klatch 2. We also broadcast readings and performances live from the Klatch via Openned TV. Each poet took two copies of the magazine to distribute by hand. There are now only 13 copies of the Klatch magazine left. To request a copy, contact us and leave your request along with your postal address. The magazine is completely free. Poets included in Klatch 2:
Openned
Please note all available copies of Klatch are now gone.
Amy De'Ath - Andromeda/The World Works for Me
Contact Richard Parker for copies (there are a few copies of Harry Gilonis's Acacia Feelings left too).
£4 (UK) / £5 (rest of the world)
Subscriptions: £50 (UK) / £55 (rest of the world).
Paypal / cheques please.
Wednesday 27 January, 2010 tagged Publications Gareth Farmer:
yt communication in association with Farmer Workforce #1 proudly announce the the publication of a mélange of poems:
MOCK INTO THE BRAZEN DAY
by Gareth Farmer.
If you want to snip one up FOR FREE, please email The Provider with your address at
A digital Christmas present from the man at Arthur Shilling, the one and only Harry Godwin brings you joy and a new anthology. All very fine:
The Arthur Shilling Press is pleased to launch 'The Arthur Shilling Press 2009 Anthology'.
The anthology contains all 6 of Arthur Shilling's publications: Neil Addison, 'The Everyday of Irma Kite'; Richard Barrett, 'Pig Fervour'; Harry Godwin, 'The Benholm Potato Growers'; Nat Raha, 'Notes on Tauheed'; Linus Slug, 'The Ffass Gazette'; & Michael Zand, 'kval'.
via Harry Godwin.
£17.50 (pre-publication) / £18 (P&P) (post-publication), Reality Street Books, January 2010
ISBN 978 1874400 45 5
This is the first time this great, innovative poet’s work has been properly collected. The poetry included here was originally written and published in the 1960s and 70s, and immediately predates the work included in The Mud Fort. It includes the complete “Cycles”, War W/ Windsor”, “A History of the Solar System” and other sequences, as well as a multitude of other poems and and sets of poems, previously published in fugitive editions or not at all, presented in roughly chronological order. The volume is rounded off with Alan Halsey’s meticulous endnotes, detailing the original publishing history and variant texts.
Available via the Bookshelf.
£6 (50p P&P), Torque Press, 2009
ISBN 978-1-906851-02-6
Response to the visual as a complex of knowing and distortion into language makes a demand on all participants, writer, reader. Here in This is red offers a density of seeing made possible through sequential and continually framed perception and frail or desperate engagement. It gives the potential which has been realised to record internal apprehension and near narrative reading. This is red holds attention to digital image and its considerable blur – its energetic ambiguity and concreteness of understanding. The apprehension has been graphically drawn through – that is thought through – providing the reader with promise and clarity; an apprehension addressed as colour and tone addressed to "you" as singular and as collective figure at once – shifts from one to the other. - Allen Fisher
Send payment to: Jane Glenn, English, School of Humanities, Avenue Campus, University of Southampton, Southampton SO17 1BJ
£13.95, Fence Books, 2009
In this third collection, Catherine Wagner assumes a mantle of responsibility. Her slangy, spoken, and singing world of representation slides from syntactic unit to unit, making room for a galaxy of metonymy. "Things mean," she writes, "and I can’t tell them not to." In each of the four series that make up this book we find a female body watching itself and marking that watching with a severe wit, charmed visuals, and the analytic prowess of a born human.
Available via the Bookshelf.
