Search

Entries from December 6, 2009 - December 12, 2009

Saturday
Dec122009

Bill Griffiths - Collected Earlier Poems (1966 - 1980)

£17.50 (pre-publication) / £18 (P&P) (post-publication), Reality Street Books, January 2010

ISBN 978 1874400 45 5

This is the first time this great, innovative poet’s work has been properly collected. The poetry included here was originally written and published in the 1960s and 70s, and immediately predates the work included in The Mud Fort. It includes the complete “Cycles”, War W/ Windsor”, “A History of the Solar System” and other sequences, as well as a multitude of other poems and and sets of poems, previously published in fugitive editions or not at all, presented in roughly chronological order. The volume is rounded off with Alan Halsey’s meticulous endnotes, detailing the original publishing history and variant texts.

Available via the Bookshelf.

Friday
Dec112009

Silliman Vids

Ron Silliman has posted a selection of YouTube vids of poets past on his blog.

Thursday
Dec102009

Carol Watts - this is red

£6 (50p P&P), Torque Press, 2009

ISBN 978-1-906851-02-6

Response to the visual as a complex of knowing and distortion into language makes a demand on all participants, writer, reader. Here in This is red offers a density of seeing made possible through sequential and continually framed perception and frail or desperate engagement. It gives the potential which has been realised to record internal apprehension and near narrative reading. This is red holds attention to digital image and its considerable blur – its energetic ambiguity and concreteness of understanding. The apprehension has been graphically drawn through – that is thought through – providing the reader with promise and clarity; an apprehension addressed as colour and tone addressed to "you" as singular and as collective figure at once – shifts from one to the other. - Allen Fisher

Send payment to: Jane Glenn, English, School of Humanities, Avenue Campus, University of Southampton, Southampton SO17 1BJ

Wednesday
Dec092009

Sophie Robinson Interview

Sophie Robinson has been interviewed by The Other Room. View the video here.

Wednesday
Dec092009

Desperate For Love Review

The Desperate For Love reading at the Komedia in Brighton was fantastic. The poets featured were Tom Raworth, Ken Edwards and Rowena Easton. The host Alan Hay also read and there was one other person whose name I did not catch. Walking through the door I managed to pick up a free Chap Book and a C.D both of which speak to the strength of this reading series. The C.D features excerpts from Sean Bonney's Baudelaire, Daniel Kane's Ostentation of Peacocks, Sophie Robinson's 'a' Tim Atkins' Petrarach Lucy Harvest Clarke's Poems, Francesca Lisette's Aqua Precinct and Keston Sutherland's Stress Position. I can not wait to put it on. 

At a reading as good as this, like six rainbows smashed into a puddle, I only ever tend to catch a fraction of the content, and the fragments that do remain with me remain decayed and happily polluted with the sound of the room. At any rate Tom Raworth talked about the time of the poetry reading and how time is measured differently there - the social-time and the poem's time working with eachother to make time detourne itself into something new. I remember Tom's bitterly angry hoax poem read with a spattering of rhyme that was posted on a pro-war website before the Iraq war which later drew death threats from the other people that were writing poems on the site when they found out the poem was a hoax (thanks to Creeley apparently). I remember birds flying out of Ken Edwards' head, the 'glorious' green of phosphor on a television screen, the governor of the bank of England, you, and all other things that don't exist - oh, and transition zones: It could be the book of the dead it could be the airport waiting lounge. All in all fantastic fantastic stuff. The audience was young, vibrant, and I felt happy in the room. It was really good that Barque Press had bought books down to the reading and had them at the door I think it is a incredibly healthy thing for presses and reading series to be working together to make a scene. I managed to pick up Keston Sutherland's Stress Position (which unbelievably I had not bought yet) and J.H. Prynne's To Pollon. I ran out of money but other wise Jonty Tip Lady's collected poems II was on the buying agenda. I think perhaps my favorite lines of the night came from the last three lines of Ken Edward's poem The Sea, a poem that is very handily printed in the Desperate For Love chap book. I rewrite these lines here because they are simply great:

On the sixth day there is a rainbow,
made from the emissions of disintergrating aircraft.

It's a kind of crescendo, I call it the sea.

Anyway, thanks Alan for putting on a great night. I believe Mendoza is reading at the next one, which in the words of a poet who I won't name here, promises to be 'punk as fuck'. What with the excellent Chlorine reading series (at The Hope) and Desperate for Love both being in Brighton, as well as the presses Barque and Reality street both having roots in the area, Brighton is (and has been for a long time) a fantastic place to hang out if you are a poet.  What does anyone else remember of the reading?

Tuesday
Dec082009

How2: Vol 3, No. 3

New issue of How2 out featuring more good content than it's worth replicating. If you need a reason to click this link then you haven't been to How2 before.

Monday
Dec072009

Great Works issue 15

Issue 15 of Peter Philpott's Great Works is now available to view online, featuring the work of over 40 poets.

Sunday
Dec062009

Charles Olson, Centenary Conference

Saturday 13th – Sunday 14th November, 2010

2010 marks the centenary of the birth of the American poet Charles Olson. As poet, critic and theorist, Olson extended the possibilities of modern writing. From Call Me Ishmael to The Maximus Poems he probed the relation between language, space and community, providing radical resources for the re-imagining of place and politics. Aiming, in Robert Creeley’s terms, to hear all that Olson still provokes at the beginning of the Twenty-First Century, this conference seeks to re-assess the scope of his legacy. It will provide an opportunity to consider Olson’s value through and across a range of disciplines, with particular attention to be given to his influence on British and European writing.

Proposals for papers (title with 300-word abstract) should be sent to David Herd at d.herd@kent.ac.uk by Friday 19th March, 2010.

Centre for Modern Poetry, University of Kent