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Monday
Mar162009

Citation as Explanation

Graham Lyons:

What both Benjamin and Zukofsky identify — one through the lens of an imperfectly enacted intentionality, one through a critique of self-serving criticism — is the problem of reading complexity, of explaining away difficulty. Benjamin’s final sentence spatializes this difficulty by offering a location (or the image of this location) for a form of understanding: to fathom the “admixture” of elements in Emile Zola’s work, he suggests, begin by thinking through the architectural space of the Paris arcades. Zukofsky, on the other hand, proffers vision (the “lens”) as a balm to self-congratulatory criticism, as the highly problematic yet potentially illuminative medium through which to “shoot” Shakespeare — even if the understanding you gain can only be termed an “accident.” What seems most important, to this reader at least, is the marginalization, by both Benjamin and Zukofsky, of explanation as a mode of reading and of critique. Direct elucidation misses the complexities of the whole and ‘presumes’ to contain the potentialities of the text — inherent in the content, the form, the contexts (of reading and of writing), in language itself.
Read the rest. via Silliman

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Monday
Mar162009

Rose-Red Empires

Ben Thompson at The Independent:

Politics, cinema, the limitless destructive potential of "urban regeneration" – these are grids that have overlain Sinclair's industriously burgeoning oeuvre ever since the classic Downriver first propelled him out of the ghetto of after-hours poetry readings and into the same literary front-rank once inhabited by his hero, Joseph Conrad. And this latest volume's Fay Wray-tinged awareness of clear and present danger is supplemented by a further cinematic foreshadowing, in the form of that sturdiest of heist-movie staples, the "one last job".
There are so many things wrong with that one paragraph it's almost abstract. Read the rest if you can bear it.

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Monday
Mar162009

'Next thing you know they'll find male pattern baldness in the shape of Proust.'

the-shard-with-a-face-pos-002 According to this article, the above chunk of pottery bears an uncanny resemblance to Shakespeare, because it was found in Shoreditch. This is the literary equivalent of finding the likeness of Jesus in a wotsit, or Alan Hansen in a mini Babybel.

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Sunday
Mar152009

Anything Anymore Anywhere

Anything Anymore Anywhere is a new poetry and fiction print journal based in Edinburgh, Scotland. As the name suggests we start from a position of uncertainty, but also possibility! The second issue will be out in summer 2009. We invite any and all submissions.
It looks like these guys are open to taking the direction of the best work sent to them, which seems a healthy philosophy for a new print journal, at least to begin with. Their links page includes Jacket and Ron Silliman so it looks like they are leaning towards the experimental side of things. via Crg Hill

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Sunday
Mar152009

#rhymetag

#rhymetag will be the hashtag for a new experiment and game on Twitter that, should it catch on, will create a collaborative ever-changing poem. Here is how you can participate:
  1. Write a tweet that includes the #rhymetag hashtag; it can be about anything or can be gibberish.
  2. If you see a tweet that includes #rhymetag, reply to it with a rhyming tweet. Make sure that this contains #rhymetag.
  3. Search for #rhymetag in order to read the poem that results. It will, of course be different every time.
  4. Break the rules. Do something entirely different. Only thus will the project evolve.
via Elizabeth Kate Switaj

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Sunday
Mar152009

Pages: Afterword to Fourth Series

This series of Pages has been slightly disappointing in terms of the volume of traffic in answer to my deliberately naïve question concerning recent poetries. But I haven’t been disappointed by the individual responses I’ve had so far. (I will post more, if there are more, of course, and Scott Thurston promised one last night.)
Robert Sheppard does some summing up.

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Saturday
Mar142009

Loveletters

DUCK MOPPET MY DESIRE WINNINGLY TREASURES YOUR SYMPATHETIC INFATUATION. YOU ARE MY DEVOTED FELLOW FEELING: MY ADORABLE ENTHUSIASM: MY COVETOUS LIKING: MY LOVABLE ARDOUR. YOURS KEENLY M. U. C.
One of the world's first computers was used to generate love poetry. Click here to read the backstory or here to try the generator out for yourself. via The Book Bench

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Saturday
Mar142009

Reality Street

Saturday
Mar142009

Blue Bus

Tuesday 17th March, 7.30pm

  • Will Rowe
  • Carol Watts
The Lamb, 94 Lamb’s Conduit Street, London WC1 (upstairs room) Admission £5 / £3 (conc.)

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Friday
Mar132009

past simple 6

Now online, featuring poetry from:

  • Karen Eliot
  • Geraldine Monk
  • Peter Manson
  • Tim Atkins
  • Steve Willey
  • Augustus Young
  • Alyson Torns
  • Michael Zand
  • Alex Davies
  • Trevor Joyce
  • Ken Edwards
  • Fanny Howe
  • Amy De'Ath
  • Sean Bonney
  • Tom Raworth
  • Rob Holloway
  • Maurice Scully
  • David Toms
  • Randolph Healy
  • C. Walsh & B. Mills
  • David Lloyd
  • Peter Jaeger
Excellent work from editors Jim Goar and Marcus Slease.

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