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Tuesday
Nov182008

Cometh the Hour, Cometh the Cretin

The New Yorker:

Now, of course, Bush has entered into his own midnight period, and it promises to be a dark time indeed. Among the many new regulations—or, rather, deregulations—the Administration has proposed are rules that would: make it harder for the government to limit workers’ exposure to toxins, eliminate environmental review from decisions affecting fisheries, and ease restrictions on companies that blow up mountains to get at the coal underneath them. Other midnight regulations in the works include rules to allow “factory farms” to ignore the Clean Water Act, rules making it tougher for employees to take family or medical leave, and rules that would effectively gut the Endangered Species Act. Most regulations are subject to public input; such is the sense of urgency that the Administration has brought to the task of despoliation that the Interior Department completed its “review” of two hundred thousand public comments on the endangered-species rules in just four days, a feat that, one congressional aide calculated, required each staff member involved to read through comments at the rate of seven per minute. “So little time, so much damage” is how the Times recently put it.
You might ask yourself why Openned is so preoccupied with politics recently. I happen to think that politicians are procedural poets, and George W. Bush is yet to reveal his masterpiece. Nowhere is the significance of the written word better illustrated in this article, where pieces of paper hold to ransom swathes of ethics.

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Monday
Nov172008

Poems for President Obama

Charles Bernstein, Patricia Smith and Forrest Gander recommend poetry for Barack Obama.

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Monday
Nov172008

Sean Bonney & Frances Kruk, from The "Commons" - 2/2

[youtube=http://uk.youtube.com/watch?v=5bK-lWj_pzg] These guys.

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Monday
Nov172008

Ad Finitum

adfinitum_cover The latest from Peter Inman courtesy of James Davies at if p then q.

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Monday
Nov172008

The 10 Biggest Cocks in Advertising

[googlevideo=http://video.google.com/videoplay?docid=-347520724297748167&ei=4IIgSfacFqKy2gLK_YmyCw&q=charlie+brooker] Charlie Brooker: legend.

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Sunday
Nov162008

Objection!

What I think is a deeper question is that poetry and poetics have been dominated by two tendencies in recent years- fascileness and a fixation on the obscure. The fascileness in poetry is embodied by the Flarfists and other nonsense poetry that substitutes chance for craft.
Just because you disagree with something doesn't mean you shouldn't link to it. via Silliman

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Saturday
Nov152008

London Poetry Systems

Tuesday 25th November, 7.30 - 10.30pm

  • George Chopping
  • The Brandy Alexander Project
  • Pete the Temp
  • Clarissa Pabi
  • LPS Poets and AV artists
The FleaPit, 49 Columbia Road, London £5/£4 conc.
Reduced rate entry for those who email the organisers before midnight on Monday 24th November: londonpoetrysystems [at] gmail [dot] com

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Saturday
Nov152008

Toadex: Redux

The Toadex saga continues. This is turning into a bona fide quest. Someone get me John Williams on the phone. Make sure the phone is big enough.

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Saturday
Nov152008

Kevin Doran's A World Without Apostrophes

Newsnight had a report last night on whether we should abolish the apostrophe the most confusing punctuation mark in which a linguistics professor from Bangor university Wales said you and i are talking now and theres no apostrophes in what were saying so thats the argument that says maybe you could leave it out to which id say nor does the comma or full stop or other punctuation i dont know why he would say such a thing proper use of the apostrophe really isnt that difficult i dont recall being taught usage past possession in school and like a lot of things regarding school i found it out myself or picked it up from simply reading...
You can read more here.

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Friday
Nov142008

Moulin Rouge and the Free Economy

Laurie Duggan:

Near the beginning of Baz Luhrmann’s movie Moulin Rouge, poet Ewan McGregor lets us know that there are only three things in this world that matter: beauty, truth and love. The scenario of this film promises so much yet the finished product fails to deliver the substance of these promises. What it does offer is an unaccustomed insight into the mechanics of latter-day romanticism. ... Extreme philosophies of individualism exist comfortably alongside the discourse of contemporary free-market economics. Both attitudes are products of the liberalism that made the aesthetic of romanticism possible and Luhrmann’s film brings to the surface the complicity that late romanticism shares with commerce. At Fox Studios the creative personnel at work on the multi-million dollar creation probably didn’t, despite their relative affluence, feel remote from the figure of the ‘starving artist in the garret’. McGregor, their object of identification, ‘lies in the gutter’ at one point in the film, though he is ‘seeing stars’ rather than looking at them.
I've always been bothered by Ewan McGregor's facial accoutrements. Something I had to get off my chest and place in my chest just below be desk at the wife's behest.

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