'Coffee Break' by Anna Ticehurst
'Coffee Break' by Anna Ticehurst has been added to the Poetics of The Foundry issue. You can view it here.
'Coffee Break' by Anna Ticehurst has been added to the Poetics of The Foundry issue. You can view it here.
Thu 3 May, 7pm Whitechapel, 80-82 Whitechapel High Street, London E1 Salt Margins II 'Poet and former professional snooker player Jane Holland reads from Boudicca & Co (Salt). Cult author Amy Prior presents her latest book I Can’t Believe How Great I Feel with live drawing by Sarah Doyle. Stuart Taylor premieres Metropol, his poetic exploration of the city. Plus up-and-coming poet and novelist Joe Dunthorne.' Organised by Tom Chivers, Salt in the Margins. Free, no booking necessary.
Many thanks to those of you who showed up last night, we hope you enjoyed the reading. Special thanks to those who bought their laptops for John Cayley's performance, and to those who read so brilliantly.
Openned's very own Steve Willey will be reading at the next Langoustine. La Langoustine est morte, the 7th Saturday 5 May 2007 7.30pm The Poetry Café 22 Betterton St. Covent Garden London WC2H 9BX Adm. £5/4 cons. La langoustine est morte , The only night in London dedicated to experimental and innovative poetry, fiction and performance returns to the Poetry Café in Covent Garden for the 7th instalment of the series. This month we feature one of our strongest line-ups yet, a thrilling fusion of abstract poetics, risqué fictions, spiritual songs and ambient mischief with: Amy Prior – fiction/performance Steve Willey - poetry Perciphone Petticoat – poetry/performance Musadiq Sanwal - spirit songs
From dark mucus: 'i would like to direct you to sophie robinson's terrifying web-based projects, gorgeous little films and animations steeped in desire, disgust, squishy things, hot scratchy audio, and ooze and cream and jiggles. "cake" and "slant" are probably my favourites if i was forced to choose only two to bring with me to a deserted island, but they are all delicate and scary and funny and executed with sophie's brilliant flair for provoking the hairy undersides of all things pretty.' Link
Link Eliot's The Waste Land configured in hypertext in order to aid comprehension and minimise frustration. It ain't lazy, it's convenient. Like contractions.