Tuesday 21 June, 2011 tagged Publications £9.68 (£7.74 P&P) / $15 (free P&P) / €10.84 (€8.67 P&P)
All pieces have been translated specifically for this issue and appear in English for the first time. Poetry includes the original as well as the translation in a facing-page format.
LATE NOTICE
Monday 20th June
6pm
Room 124, 43 Gordon Square, London WC1H 0
7.15pm
32 Tavistock Square, London WC1H 9
Admission is free, all welcome.
Sunday 19 June, 2011 tagged Calls for Work Revisions to the historical meaning and framing of punk have circulated since its inception. This issue seeks to capture the performance of those revisions, conducting a genealogical mapping of the punk movement, scenes, music, ethics, and aesthetics utilizing queer and feminist punk analytics. While some valuable feminist critiques of punk have surfaced – mainly to lionize the riot grrrl movement – many uneasy questions around race, nation, and sexuality remain unarticulated in feminist and gender performance scholarship. The interdisciplinary articles in this issue will address the performances and politics of these exclusions.
We are interested in the temporality and spatiality of punk performances through a collective and archival process. We use the word “anteriors” in the title of this issue to frame the articles that address these punk spaces and remnants, plotting what comes before, anterior to, the telling of punk’s narratives in two senses: first, in the temporal sense which interrogates punk’s resistant genealogy; and, second, in the material and spatial sense of place, bodies, and archives. What can be situated in front of the generic narratives of punk’s beginnings and mainstays as a form of resistance? Where do articulations of racial formation, gender, nation, and sexuality fit into generic notions of punk origins, temporalities, and classisms? Can punk epistemologies be used to critique punk’s exclusions?
Possible topics include:
Submissions should be 10,000 words or less in length and adhere to the current Chicago Manual of Style, author-date format. Questions and abstracts for review are welcome before the final deadline.
Complete essays and texts for consideration must be submitted by July 15th, 2011.
Please send all work to Fiona Ngô and Elizabeth Stinson via email (MS Word attachment): ngo@illinois.edu and stinson@nyu.edu.
Further submission guidelines can be found here.
via cris cheek
Wednesday 6th, 11am - Sunday 31st July, 8pm
Following Bob Cobbing’s cut-up instructions, German book artist Alex Czinczel’s stop-frame animation re-enacts The Young Hedgehog (1956). Taking clippings from The Observer, Czinczel re-contextualises Cobbing’s poetry in relation to current affairs and highlights the library’s collection of his books, magazines and sound recordings for a new audience.
Saison Poetry Library, Level 5, Royal Festival HallSouthbank Centre, Belvedere Road, London SE1 8XX
Admission is free.
Thursday, 23rd June, 7.30pm
Introduced by Jeff Hilson:
The Horse Hospital, Colonnade, Bloomsbury, London WC1N 1JD
Thursday 16 June, 2011 tagged UK Events in Francesca Lisette, Hannah Roche, Ian Patterson, Joe Luna, John Wilkinson, Keston Sutherland, Neil Pattison, Piers Pennington, Rob Stanton, Robin Purves, Ross Wilson, Tim Thornton Thursday 23rd June, 10.45am - 5.30pm
The Centre for Modernist Studies at the University of Sussex presents an event devoted to the discussion of John Wilkinson’s collection of essays, The Lyric Touch (Salt 2007). The aim of the event is to promote critical attention upon an important book, and to generate discussion and reflection in an atmosphere more focused than is possible in a larger conference. John Wilkinson will be attending and responding to contributors’ papers.
Featuring:
Fulton Building FUL-113, University of Sussex (Map)
Wednesday 15 June, 2011 tagged UK Events in Drew Milne, Ian Heames, Ian Patterson, Justin Katko, Laura Kilbride, Luke Roberts, Neil Pattison, Peter Riley, Redell Olsen, Rod Mengham, Ryan Dobran, Simon Jarvis Saturday 18th June, 7.30pm
You are invited to a night of short poetry readings, wine and celebration to mark the end of Peter Gizzi's residence as Judith E Wilson Fellow in Poetry.
Judith E Wilson Drama Studio, Faculty of English, University of Cambridge, 9 West Road, Cambridge CB3 9DP
Wine and light refreshments. All welcome.
;)